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panic-in-needle-park · 9 months
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THIS MADE ME COME BACK ON TUMBLR I LOVE IT SO MUCH OMG
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The Panic In Needle Park 1971
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panic-in-needle-park · 10 months
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HAPPY BIRTHDAY MEL @melis-writes 🥰🥰
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panic-in-needle-park · 10 months
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GOOSEBUMPS OH MY GOD
You're Still My Brother [Godfather Part II AU].
Read on AO3. | Fanfic Masterlist | Fic and Prompt Requests Info.
18+, explicit oneshot.
Death is clipping at Fredo Corleone's heels and there's only one way out of Havana tonight. With chaos ensuing from the rebels and the kiss of death sealing Fredo's fate from Michael, Fredo's heart gives in. Helpless, desperate and terrified of his brother, Michael manipulates his Fredo's good nature into trusting him and leaving Cuba together. Hyman Roth and Johnny Ola are dead, or so Michael has Fredo believe in but Michael has no intention of letting Fredo leave Cuba alive.
[WARNINGS]: Heavy angst / Character death / Strangulation / Fratricide / Hurt with no comfort.
[AUTHOR'S NOTE]: From one of my favourite, angsty scenes from The Godfather Part II, here comes an AU oneshot I came up with in one sitting tonight with Fredo actually leaving Havana with Michael…💔 I had always wondered what would have happened in Fredo got into that car with Michael, how he would be convinced, what Michael would say and what would come next. 🥺 Playing on emotionally manipulative strings and lies in this AU, I've made Michael seal Fredo's fate differently. This is my first Godfather oneshot/fic that isn't X Reader, romance or smut related!! 🤭💕 I definitely plan to write more as they come amidst updating my multi-chapter fics! Heavy, HEAVY angst in this oneshot with all tags/warnings applying, just a heads up!! 👀🫡
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Panic. Mass confusion. Violence answers the questions of the innocent, the confused, and the helpless. Michael’s amongst them, but not one of them.
Aside from the rebels leaving nothing but destruction and the ensuing chaos in their wake around the vicinity, Michael remains to be among the very scattered few who neither fear nor react to the violence surrounding them.
Seemingly coordinated enough on New Year’s Eve, Michael’s more than well aware of the threat the rebels have been posing at all times.
It was enough to see rebels give their own lives in order to take one of the police officers in front of Michael’s eyes to convince him the rebels would take any opportunity to spill blood and fight back even if cornered regardless of the consequences.
Despite the ongoing panic, Michael knows he is in no true danger nor is he a target of the rebels just as he knows the party is over and he has outstayed his welcome as have all the guests at the president’s party.
Michael slipped through the packs of crowds rushing out onto the street and did so without attracting unnecessary attention, but the same couldn’t be said for his brother.
Fredo pushed through anyone and everyone who got in front of him the moment before the onset of the violence began.
Fredo was already running for his life with fear swelling in his heart because of Michael; the truth of his betrayal was never as clever as any lie Fredo could tell Michael or any way Fredo could pretend he didn’t cause an attempted assassination on Michael’s life.
The darkness in Michael’s heart confirmed the death wish he bestowed upon his brother by sealing the kiss of death over Fredo.
Now, no explanation, no apology, and no justification can exist in this world where Michael may exercise mercy or forgiveness over his own brother.
As death itself follows at Fredo’s heels, his only escape is to flee Havana but hiding elsewhere in Cuba will spare his life longer so as long as Fredo doesn’t return to where Michael has eyes and ears in the United States.
With tears stinging his eyes and whimpers of fear escaping his trembling lips, Fredo’s breath quivers as he sprints out of the presidential palace; taking as many twists and turns as he can.
But it’s only a matter of mere moments before the planned attack takes place at the same time; its sole benefit helping Fredo blend in with the rest of the outpouring crowd seconds later.
Michael’s chauffeur never strayed far from the presidential palace; parked just a few meters away from the side of the building with intentions to take Michael and Fredo to the airport to catch their private jet later on this evening.
Standing by the vehicle now, Michael keeps the passenger door open with one hand over its rim as he looks out for any signs of his brother amidst the terrified crowds.
Fredo has no choice but to slow down the steps of the presidential palace when he spots the rioting rebels, seeing no prying eyes over him.
Among dozens of other black and white suits, Fredo is almost impossible to spot—mirroring the same body language as other rushing guests.
The vehicles of the rebels arrived in a circle around the presidential palace, honking incessantly and powering the noise and hollering of its drivers and the other rebels.
Rebels armed with bats and clubs swing at the pillars of the presidential palace and the windows of nearby guest vehicles, only causing further alarm.
Swallowing hard, Fredo stumbles down one of the steps and frantically looks around him to find some route of escape—seeing some guests have already gotten into taxis and nearby vehicles.
 “Argh—” Fredo grunts out in surprise as a couple accidentally bumps into him—ramming their shoulders into his back.
Fredo almost trips down the next set of stairs before him, catching his balance before Michael’s eyes land on his brother just across from him in his line of sight now.
“Fredo!” Michael calls out from afar, shrouded in the darkness where he stands away from streetlights or any direction crowds run toward.
Fredo freezes in his tracks, feeling his muscles instantly tense up from nothing but utter horror at the sight of his brother; pure fear triggering Fredo’s fight or flight response.
Fredo’s fear of his own brother has intensified and tripled in a matter of moments back in the presidential palace to the point where Fredo trembles in Michael’s presence and practically feels nauseous being under his brother’s gaze.
Fredo’s eyes widen as his mouth runs dry, eyeing his brother’s body language for immediate resentment and hostility.
“Come on!” Michael gestures out with his hand towards him; only appearing as a concerned brother insistent on helping his brother and escaping together.
Nothing over Michael’s expression or tone of voice resembles the putrid hatred that promised death to Fredo minutes back at the presidential palace.
Refusing, Fredo begins to slowly turn around but keeps his eyes on his brother as his body screams for Fredo to move away.
“It’s the only way out of here tonight,” Michael hollers back, noticing Fredo beginning to pull away. “Roth is dead!”
Naturally, the fate Michael planned and anticipated for Hyman Roth has failed unbeknownst to him but with Fredo’s betrayal stemming from Hyman Roth and Johnny Ola, it appears to be very convincing and tempting.
Still, the fear Fredo feels towards his own brother is all the more overpowering and there’s not a shred of trust nor hope left in Fredo to believe in Michael’s words.
Michael extends out his hand, seeing his words having no effect on his brother. “FREDO!”
Fredo forces himself to keep moving—staggering through the remaining crowd down the steps but with his head still turned towards Michael as if Fredo expects him to follow or lunge after him.
“Fredo, come with me!” Michael raises his voice above the noise of the crowds; seeing his brother is about to run off entirely. “You’re still my brother!”
Fredo’s just begun to rush off again into the crowd but stops at Michael’s words—the most convincing above all, promising they’re still family.
“Fredo!” Michael takes a step further, beginning to move in Fredo’s direction and away from the vehicle. “FREDO!”
Sensing no harm or ill intention from Michael amongst danger and chaos, Fredo’s good nature does not lie to him but coaxes his heart to trust in Michael and escape out of Havana with his brother.
In Michael now, Fredo wants to see his brother’s emotional vulnerability; despite everything, family ties and bonds never break, despite everything, Michael would want no harm to come to Fredo and certainly not here.
“You’re still my brother!”
Fredo turns back around to Michael and swears to himself he can see a pleading look in Michael’s eyes, past the shadows that keep him almost completely concealed.
Tears spring from Fredo’s eyes as he runs toward his brother, unaware he’s accepting his damned fate but giving his trust, love, and belief in safety to Michael.
Michael steps aside to let Fredo into the passenger seat, moving to the other side of the vehicle to get in for himself.
Fredo scurries inside and slams the car door behind him; a pitiful state of worry and exhaustion over him compared to Michael who still remains composed and calm.
Michael does the same, needing to give no signal or word to his chauffeur who immediately begins to drive off in the opposite direction of the presidential palace.
For a moment as Michael’s preoccupied with looking towards the chauffeur and windshield to see what’s ahead of him, neither he nor Fredo say a word to each other nor make eye contact.
Fredo peeks out the window to see hoards of people pushing into the US Embassy and pleading with the guards by the gate for safety; everyone fending for themselves in desperate hopelessness.
Fredo even spots a private jet beginning to take off as others help their family onto nearby boats and ships eager to get off the dock.
As the vehicle continues to move and navigate around the rebels and crowds with ease, Fredo flinches at the sight of the rebels setting nearby garbage cans on fire and rushing into the presidential palace itself.
With all of this occurring in mere seconds as the violence worsens and fires spread to smashed-in vehicles and broken goods from inside the presidential palace, Michael’s eyes land on his brother inside the car once again.
Fredo catches Michael’s gaze, looking as pale as a ghost with worry crossing his eyes as the vehicle now begins to slow through crowds clamoring at every angle.
Michael’s chauffeur keeps his composure, honking again and again as he continues to drive.
Michael knits his brows, gazing out both windows and somewhat concerned himself not about the damage the rebels continue to do, but what can come from the panicking and desperate mobs of people surrounding the car.
“O-Oh my God,” Fredo shudders as the vehicle finally begins to pick up its speed and separate from the crowds.
In a split second, Michael makes eye contact with the chauffeur through the rearview mirror, signaling a change in the destination; one out of sight with no one to hear anyone’s helpless screams.
Fredo doesn’t notice, nervously sitting next to Michael and looking down to see his fingers trembling uncontrollably in his lap just from Michael’s presence.
“We’re almost out,” Michael finally speaks; his voice calm and soothing enough for Fredo to believe it.
Fredo keeps his eyes on the road, refusing to relax and snap out of his alarmed state until the car drives much further down the road and Fredo’s unable to hear the rebellion behind him.
“The plane—” Fredo stammers, swallowing. “Are we getting out of here?”
“We are,” Michael reaffirms as the chauffeur takes a different turn to drive upon the side of the road where Fredo’s door faces the ocean. “Fredo—” Michael looks at his brother, “it’s fine. It’s over now.”
Fredo gives a glum nod, attempting to relax in his seat. “I don’t know what to say, Mikey. I…”
Fredo’s voice trails off as the car comes to a slow halt by the ocean; the chauffeur avoids looking towards the rearview mirror or making eye contact with either Michael or Fredo.
“I d-don’t…” Fredo’s voice cracks as he attempts to speak again, looking helplessly at his brother.
Michael faces Fredo whose almost too emotional to even realize the car has stopped on the side of the road in the middle of nowhere.
“Mikey,” Fredo breathes out—his throat tightening as hot tears stream down his cheeks. “I didn’t—I wasn’t—”
“Fredo,” Michael turns his body towards his brother, watching Fredo weep softly and break down in front of him.
“You have to u-understand, Mikey,” Fredo pleads—emotion straining in his voice, “I w-was caught in the middle. I didn’t agree—I didn’t want any of this. I didn’t know it would end up like this—I didn’t know it was gonna be a hit or anything.”
As Michael stares into his brother’s eyes, his grow colder and Fredo’s words ring out to him with no meaning, no justification nor anything worth believing for the man in front of Michael is no longer his brother but a betrayer, a traitor and a stranger bearing the same last name.
Michael gives a small nod to Fredo as if he’s understanding of it all and figured as much for himself, but the chauffeur hits a small button over his door which immediately causes all of the doors to lock.
“Michael—” Fredo croaks, flinching from fear and looking towards his passenger door in alarm.
“Fredo, look at me. Look at me.” Michael detracts Fredo’s attention from reaching out to attempt to open his passenger door—facing his brother directly again. “Listen to me.”
“I d-don’t want anything to happen to you, Mikey,” Fredo blubbers, sobbing.
“Look at me,” Michael cups his brother’s face with both hands, feeling Fredo’s warm tears against his palm. “I know. I’m not going to hurt you.”
“Never, ever,” Fredo gives his head a little shake, clutching onto the fabric of Michael’s trousers with a shaky hand. “Y-you’re my brother, my brother—”
“I know,” Michael repeats again, eerily calm compared to Fredo’s distraught state on the verge of a complete mental breakdown.
“I c-could never live it down,” Fredo hiccups, his knuckles turning white from how hard he grips Michael’s trousers.
“And you don’t have to,” Michael replies, wiping a stray tear away from Fredo’s cheek.
“I’m s-scared, Mikey, when you look at me like that—”
“I’m not going to hurt you, Fredo,” Michael lies, “you know that. Wouldn’t I leave you to your fate there if that’s what I wanted?”
“Y-yeah, I guess—” Fredo smiles weakly at Michael, comforted by his brother’s lies. “I love you, Mikey. I j-just want you to know that.”
Shallow, empty words with no meaning that register nothing to Michael. He chooses to ignore them, unshaken by what’s to come next.
“I know,” Michael kisses Fredo’s forehead, slowly moving his hands down to Fredo’s neck.
Fredo’s eyes snap open in terror as Michael wraps his hands around his throat firmly just moments after. “Mikey—"
“Goodbye, Fredo,” Michael immediately begins to exhort force over Fredo’s throat—crushing his esophagus.
Fredo wheezes and whimpers, but can get barely anything other than a whine out. He attempts to thrash out at Michael with his hands but Michael tilts his body back while pinning Fredo onto the car seat to avoid his grip.
Kicking at Michael in the twisted position his body is in doesn’t help nor does kicking at the chauffeur’s car seat who gazes out the window to watch the waves of the sea; completely ignoring the murder ongoing in the back seat.
Fredo’s lungs burn, begging for air as Michael squeezes and applies as much pressure and might as he can with his hands to Fredo’s throat—watching Fredo’s helpless movements slowly coming to a stop.
Wide-eyed and terrified as the life and strength choke out of him, Fredo stares at Michael who remains to be much more physically strong and fit than his brother.
The cold, lifeless expression on Michael’s face doesn’t change throughout as the color drains out of Fredo’s face as Michael continues to strangle him; his grip far too overbearing and tight to squirm out of.
Just a few moments in of helplessly trying to pry Michael’s fingers off his throat, Fredo feels his life slipping away and falls unconscious seconds after.
Michael doesn’t stop there. To ensure his brother’s death once and for all in front of his own eyes, he clutches Fredo’s head in his hands and with one sharp swerve of his hands and arms, snaps his brother's neck.
A sickening crack can be heard out before Michael lets go of Fredo’s lifeless body plopping back down onto the car seat.
Michael breathes in deeply, staring at the corpse of his brother next to him with no reaction; only the relief he’s felt and continues to feel upon having his enemies assassinated.
Not a shred of remorse, guilt, or regret clouds Michael’s judgment or chokes his thoughts.
Michael reaches towards Fredo’s passenger door as the chauffeur unlocks it without looking back; nothing goes through Michael’s mind as he pushes open the door to kick his brother’s corpse out.
Fredo’s body tumbles out of the vehicle and off the ledge leading straight into the ocean on this side of the road.
From the sound of loud traffic afar and waves crashing upon the shore, Michael doesn’t hear Fredo’s body drop into the water nor does he bother to watch it sink.
Instead, Michael sits back in the vehicle and shuts the door as his chauffeur begins driving again, pretending as if nothing happened.
In the chauffeur’s best interest, nothing did happen and he only picked up Michael from the presidential palace. The chauffeur never saw Fredo or even heard that name; the chauffeur isn’t even aware Mr. Corleone had a brother.
“To the airport, Mr. Corleone?” The chauffeur spoke for the first time since Michael got into the vehicle.
“Yes,” Michael confirms, “I have a private flight to catch to Lake Tahoe.”
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panic-in-needle-park · 10 months
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Lmao yes 🤣
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panic-in-needle-park · 10 months
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Scent of a Woman (1992) directed by Martin Brest
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panic-in-needle-park · 10 months
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Are you going to prepare a speech or is it easier to improvise ? (x)
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panic-in-needle-park · 10 months
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Heath Ledger photographed by Bruce Weber on the set of “A Knight’s Tale”, in Prague, 2001.
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panic-in-needle-park · 10 months
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Barbie Pink & Fabulous ― 'Barbie' Los Angeles Photocall Barbie 1959 ― 'Barbie' Bondi Beach Photocall Barbie Day to Night ― 'Barbie' Seoul Premiere Barbie Sparkling Pink ― 'Barbie' Seoul Press Conference Earring Magic Barbie ― 'Barbie' Mexico Premiere Totally Hair Barbie ― 'Barbie' Mexico Photocall Solo in the Spotlight Barbie ― 'Barbie' Los Angeles Premiere Enchanted Evening Barbie ― 'Barbie' London Premiere
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panic-in-needle-park · 10 months
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Cats with knives.
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panic-in-needle-park · 10 months
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can u believe some people can see a cat & not immediately be filled with absolute unconditional love for that animal. they dont even get the urge to kiss them right on their little baby cat head. thats incomprehensible to me
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panic-in-needle-park · 10 months
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"I've been thinking about" something I've thought of for 5 seconds
"it just occurred to me" this has been bugging me for 11 years.
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CHRISTIAN BALE as BRUCE WAYNE THE DARK KNIGHT (2008) dir. Christopher Nolan
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panic-in-needle-park · 10 months
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THE GODFATHER PART II (1974) dir. Francis Ford Coppola.
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panic-in-needle-park · 10 months
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THE GODFATHER PART II (1974) dir. Francis Ford Coppola.
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panic-in-needle-park · 10 months
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going for a jog!!!!!! :)
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panic-in-needle-park · 10 months
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THE GODFATHER PART I (1972) dir. Francis Ford Coppola
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BARBIE (2023) dir. Greta Gerwig
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